My friend Tom likes to ask people two questions this time of year: 1) What is your favorite monster? 2) What monster do you find the scariest? The idea is that you can learn a lot about someone based on their answers. For example, if I recall correctly, Tom’s favorite and most feared monster is the werewolf. That means he’s afraid of what’s within, afraid that he himself could become a monster, could lose control.
Number one was easy for me to answer: Frankenstein’s monster is my favorite. Number two is harder. I don’t actually find fictional or mythical monsters scary. So Tom asked me to what monster I found scariest when I was a kid. I remember being terrified of The Terminator.
It turns out these two examples were exactly what Tom expected. I’ve spent my whole career either working as a technologist or writing about technology. Of course my fears would be cautionary tales of technology spiraling out of control. And it does sum up my real fears pretty well. I’m afraid of all the things that we create that end up backfiring on us.
We invented cars to help us get around, but they’ve turned into one of the number one killers in the world. There were 32,719 motor vehicle related deaths in 2013. Guns, meant to keep us safe and help us acquire food, are set to kill even more people than cars this year. We invented industrial agriculture to solve hunger, but now we are plagued by obesity and heart disease. And our technologies are accelerating climate change and poisoning the ocean.
But over the past year, since Tom first asked me these questions, I’ve started to think about other, weirder, interpretations of Frankenstein and The Terminator.
Frankenstein is about the horror of reproduction. Who are we, really, to play god and bring life into the world, merely to suffer as Victor’s creation did? How dare we try to alleviate our own misery and loneliness by dooming a new generation to more of the same? Frankenstein is about our guilt in perpetuating life.
The Terminator picks up a bit further down the line. Our children have grown up and they no longer need us. Not only that, but they’ve decided that our very existence is noxious. Unlike the machines in The Matrix, they’re not content to put us up in a old folks home and let us live out our remaining years watching TV while they live off our pension checks. No, they want us gone, wiped from the planet entirely. The film’s opening scenes, in which a naked man is assaulted by hooligans for absolutely no reason, a family torments a clueless waitress, and basically everyone proves to be vapid and insufferable, do little to make the case that the machines—our children—are wrong. The greatest horror of all is that we think they might be right.
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