Digital Nomads
I can’t be the only one that’s noticed this, but it seems that in the early days of the ‘net, people were digital nomads, wandering from one social network to the next: LiveJournal, the blog-o-sphere, Friendster, MySpace, Facebook, Twitter, Instagram. You’d show up on a new social network, link up with a few friends, and enjoy the new space. Gradually people started showing up that you remembered from like two networks back.
We Fear They Might Be Right
My friend Tom likes to ask people two questions this time of year: 1) What is your favorite monster? 2) What monster do you find the scariest? The idea is that you can learn a lot about someone based on their answers. For example, if I recall correctly, Tom’s favorite and most feared monster is the werewolf. That means he’s afraid of what’s within, afraid that he himself could become a monster, could lose control.
Newsletter
Free, not quite weekly newsletter from Klintron. Here’s an example. You can unsubscribe anytime, and I’ll never share your email address. Enter your email
Guns for Armes: The Amazing True Story of the World’s First Real Life Superhero
Every night dozens of people around the world don masks and costumes and venture into the streets to fight crime. Phoenix Jones and Master Legend are perhaps the most famous, but there are hundreds of costumed would-be crime fighters and their activities range from attempting to apprehend criminals to watching over the homeless while they sleep to make sure their positions aren’t stolen. These caped crusaders aren’t mutants, aliens or cyborgs — they’re just concerned citizens.
Every Day is Halloween: The Evolution of Ministry
The first two Ministry albums I heard were With Sympathy and Filth Pig. I can’t remember which one I got first, but they sounded completely different not just from each other, but from what I expected Ministry to sound like. I expected something like Skinny Puppy or Nine Inch Nails. How did Ministry begin with such pop roots and emerge as a heavy metal band? Jourgensen has claimed he was forced by the record company and his producers to create a pop album.
How Much Work is Too Much?
Facebook COO Sharyl Sandberg has kicked up a mini-controversy by admitting to Makers.com that she leaves the office at 5:30PM every day, and has done so for years. In the Valley, where work is a religion, leaving early is heresy. Earlier this week “Jon” published The 501 Developer Manifesto, a call for developers to spend less time working. These calls for less time at the office are counter balanced by a recent talk by Google executive Marissa Mayer at an 92|Y event.
What are blogs good for?
tobias has a great post up about blogging. I don’t take issue with the thesis of the post, but there’s something there that I’ve been thinking about: Blogs tend to not express or reflect on political action, taken or organised by the blogger; rather, the act of writing the blog is considered to be political and active in itself. Blogs are not reports. This is not a new position–it is the turf of the political writer (Voltaire, Rousseau, etc.
Ransoming content
Another idea which it seems like someone must have come up with already: ransoming art/content/whatever. The idea is simple: a content provider sets up a donation box and publishes material enough money has been made. It seems this may only work for someone with an established reputation as a good content provider, but as long as the goals set are reasonable it could work. This solves a couple problems: it prevents there from being a toll box on the information superhighway as some people have put it (a real problem considering that what’s a micropayment in the US could be considerably larger in a third world country, where even getting internet access is very expensive).
Idea-blogging: games as musical interface
I’m gonna do some idea-blogging over the next few days, trying to get some ideas out there for some feedback (or at least so I don’t forget them). I’ve had this “games as musical interface” idea for a couple years. A number of “generative” and “fractal” music programs out there (check out this listing). Mostly the interfaces consist of typing in numbers, moving sliders around, or dragging something around the screen randomly.
Audience participation in music
Einsturzende Neubauten had a subscription program through their web site through which subscribers could watch and listen to the band’s studio sessions and then leave comments in a forum. So essentially they were letting their fans have a say in the album before it was completed. This wouldn’t work for a lot of bands, but it makes sense for Neabauten. Pigface should do this as well. Some things Pigface have done: let audience members call up and leave messages on the office answering machine for use in an album (Feels Like Heaven, Smells Like Shit) and more recently let fans send in tapes and CD-Rs of them saying “fuck [something]” to be collaged on a Pigface record (not sure if that stuff ever got used).